{"id":18217,"date":"2024-11-12T19:05:14","date_gmt":"2024-11-13T00:05:14","guid":{"rendered":"https:\/\/iatse.net\/?p=18217"},"modified":"2024-11-12T19:05:14","modified_gmt":"2024-11-13T00:05:14","slug":"unions-and-guilds-press-telefilm-on-lack-of-protections-for-cast-crew-and-creatives","status":"publish","type":"post","link":"https:\/\/iatse.net\/fr\/unions-and-guilds-press-telefilm-on-lack-of-protections-for-cast-crew-and-creatives\/","title":{"rendered":"Les syndicats et les guildes font pression sur T\u00e9l\u00e9film en ce qui concerne l'absence de protection pour les acteurs, l'\u00e9quipe et les cr\u00e9ateurs"},"content":{"rendered":"
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Huit syndicats et guildes importants envoient une lettre \u00e0 T\u00e9l\u00e9film concernant les investissements continus de l'agence dans des projets qui refusent de signer ou de respecter les conventions collectives.<\/i><\/h6>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n
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Toronto -<\/strong> Dans une lettre envoy\u00e9e aujourd'hui (cliquez pour le PDF<\/strong><\/a>), une coalition de huit grands syndicats et guildes - groupes repr\u00e9sentant plus de 87 000 sc\u00e9naristes, r\u00e9alisateurs, interpr\u00e8tes, artistes et membres de l'\u00e9quipe du cin\u00e9ma et de la t\u00e9l\u00e9vision canadiens - a demand\u00e9 \u00e0 T\u00e9l\u00e9film Canada de cesser de financer les productions qui refusent de signer des conventions collectives ou qui ne respectent pas les normes minimales, laissant ainsi les professionnels de l'industrie cr\u00e9ative sans protection.<\/p>\n

\u00c0 deux reprises, le 11 juillet et le 5 novembre, les syndicats et guildes \u00e9num\u00e9r\u00e9s ci-dessous ont rencontr\u00e9, de leur propre initiative, des repr\u00e9sentants de la direction de T\u00e9l\u00e9film Canada. Ces huit groupes ont demand\u00e9 \u00e0 l'agence d'adopter la m\u00eame politique que celle d\u00e9j\u00e0 en place au Fonds des m\u00e9dias du Canada, exigeant que les productions financ\u00e9es par T\u00e9l\u00e9film demeurent en r\u00e8gle avec les syndicats et guildes de l'industrie, et ne financent plus les productions qui refusent cat\u00e9goriquement de signer des conventions collectives.<\/p>\n

Le 31 octobre, T\u00e9l\u00e9film a publi\u00e9 une mise \u00e0 jour des principes directeurs des programmes de production sans tenir compte de ces pr\u00e9occupations et a indiqu\u00e9 qu'il n'y aurait pas de tels changements pour l'exercice 2025-2026. Le 5 novembre, les repr\u00e9sentants de T\u00e9l\u00e9film ont r\u00e9it\u00e9r\u00e9 cette position.<\/p>\n

Les huit groupes r\u00e9agissent \u00e0 la d\u00e9cision de T\u00e9l\u00e9film aujourd'hui (Lettre compl\u00e8te<\/a><\/strong>):<\/p>\n

\"Contrairement au Fonds des m\u00e9dias du Canada (FMC) qui a d\u00e9j\u00e0 fait un pas en avant, T\u00e9l\u00e9film refuse d'adopter une formulation exigeant que les soci\u00e9t\u00e9s soient \"en r\u00e8gle avec toutes les associations et guildes de talents et de l'industrie\".<\/p>\n

En outre, T\u00e9l\u00e9film continue d'investir dans des productions qui refusent cat\u00e9goriquement de signer des conventions collectives ou qui n'ont pas respect\u00e9 ces conventions, alors qu'elle ne dispose pas de protections ou de normes \u00e9quivalentes pour les travailleurs de la production. Ces politiques d'investissement laxistes s'appliquent m\u00eame aux productions \u00e0 gros budget pour lesquelles la signature d'accords industriels existants est depuis longtemps la norme. Ces pratiques probl\u00e9matiques sapent l'ensemble de l'\u00e9cosyst\u00e8me de la production au Canada, laissant les professionnels de l'industrie cr\u00e9ative non repr\u00e9sent\u00e9s et non prot\u00e9g\u00e9s.<\/p>\n

\"T\u00e9l\u00e9film a le pouvoir d'adopter aujourd'hui des mesures simples pour prot\u00e9ger les travailleurs du cin\u00e9ma et de la t\u00e9l\u00e9vision canadiens ainsi que les investissements des contribuables dans ces projets. Cette politique offre une certaine souplesse pour traiter des productions de diff\u00e9rentes envergures. Elle n'entra\u00eene aucun nouveau co\u00fbt pour l'agence. Et pourtant, T\u00e9l\u00e9film n'a toujours pas agi.<\/p>\n

La lettre poursuit en disant<\/p>\n

\"Toutes nos organisations sont fermement convaincues que l'argent des contribuables ne devrait pas servir \u00e0 financer des productions qui refusent de signer des contrats \u00e9quitables ou de respecter des normes minimales,<\/strong> laissant les professionnels de l'industrie cr\u00e9ative \u00e0 la fois non repr\u00e9sent\u00e9s et non prot\u00e9g\u00e9s. La d\u00e9cision de T\u00e9l\u00e9film d'invoquer le droit du travail et le jargon bureaucratique pour renvoyer cette question aux calendes grecques est inacceptable.<\/p>\n

\"Nous demandons \u00e0 T\u00e9l\u00e9film de r\u00e9viser les principes directeurs de ses programmes de production \u00e0 temps pour son assembl\u00e9e publique annuelle du 28 novembre. Les principes directeurs devraient \u00eatre modifi\u00e9s pour s'assurer qu'\u00e0 partir de 2025-2026, chaque production financ\u00e9e demeure en r\u00e8gle avec tous les syndicats et guildes applicables et soit tenue de signer des ententes collectives ou individuelles garantissant des normes de travail minimales.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n

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La lettre adress\u00e9e \u00e0 T\u00e9l\u00e9film a \u00e9t\u00e9 sign\u00e9e par<\/strong> Alliance of Canadian Cinema, Television and Radio Artists (ACTRA), Association des r\u00e9alisateurs et r\u00e9alisatrices du Qu\u00e9bec (ARRQ), Guilde des r\u00e9alisateurs du Canada (DGC), International Alliance of Theatrical Stage Employees (IATSE), NABET 700-M UNIFOR, Soci\u00e9t\u00e9 des auteur.e.trice.s de radio, t\u00e9l\u00e9vision et cin\u00e9ma (SARTEC), L'Union des Artistes (UDA), Writers Guild of Canada (WGC).<\/p>\n

Association des r\u00e9alisateurs et r\u00e9alisatrices du Qu\u00e9bec (ARRQ)<\/span><\/strong><\/p>\n

\"T\u00e9l\u00e9film est souvent un exemple lorsqu'il s'agit de mettre en \u0153uvre des politiques sociales telles que la promotion de l'\u00e9galit\u00e9 des genres et de la diversit\u00e9. Pourquoi ne pourrait-il pas \u00eatre exemplaire en veillant \u00e0 ce que les travailleurs culturels b\u00e9n\u00e9ficient de normes de travail minimales ?<\/p>\n

-Gabriel Pelletier, Pr\u00e9sident, Association des r\u00e9alisateurs et r\u00e9alisatrices du Qu\u00e9bec (ARRQ)<\/p>\n

Guilde des r\u00e9alisateurs du Canada (GCR)<\/strong><\/span><\/p>\n

\"T\u00e9l\u00e9film investit l'argent des contribuables dans ces projets. Les professionnels exp\u00e9riment\u00e9s de la cr\u00e9ation comme nos membres sont les bottes sur le terrain pour s'assurer que l'argent est bien d\u00e9pens\u00e9, et non mal d\u00e9pens\u00e9. L'argent des contribuables ne devrait pas aller \u00e0 des productions qui refusent de signer des contrats \u00e9quitables, laissant les acteurs, l'\u00e9quipe et les cr\u00e9ateurs sans protection.<\/p>\n

-Dave Forget, directeur ex\u00e9cutif national, Guilde canadienne des r\u00e9alisateurs (GCR)<\/p>\n

Alliance internationale des employ\u00e9s de sc\u00e8ne (IATSE)<\/strong><\/p>\n

\"En tant que bailleur de fonds publics, T\u00e9l\u00e9film a la responsabilit\u00e9 de s'assurer que les b\u00e9n\u00e9ficiaires de ces fonds agissent de fa\u00e7on \u00e9quitable et \u00e9thique. Nous sommes heureux de constater qu'ils semblent prendre cette responsabilit\u00e9 au s\u00e9rieux et nous leur demandons d'agir rapidement afin que les travailleurs canadiens travaillant sur des productions financ\u00e9es par T\u00e9l\u00e9film b\u00e9n\u00e9ficient d'une certaine protection \u00e0 l'avenir.<\/p>\n

John M. Lewis, vice-pr\u00e9sident international et directeur des affaires canadiennes, International Alliance of Theatrical Stage Employees (IATSE)<\/p>\n

NABET 700-M UNIFOR<\/strong><\/p>\n

\"En tant que syndicats et guildes repr\u00e9sentant les travailleurs talentueux de l'industrie cin\u00e9matographique canadienne, nous sommes d\u00e9termin\u00e9s \u00e0 faire en sorte que tous les travailleurs soient trait\u00e9s avec l'\u00e9quit\u00e9 et le respect qu'ils m\u00e9ritent. Notre partenariat avec T\u00e9l\u00e9film et les producteurs en r\u00e8gle est essentiel pour fa\u00e7onner un avenir durable et \u00e9quitable pour le cin\u00e9ma canadien. Il est essentiel que T\u00e9l\u00e9film continue de respecter les normes les plus \u00e9lev\u00e9es de l'industrie en mati\u00e8re de pratiques de travail, en veillant \u00e0 ce que les fonds qu'elle alloue soutiennent non seulement la vision cr\u00e9ative, mais aussi les personnes qui rendent cette vision possible. Nous travaillons ensemble pour nous assurer que T\u00e9l\u00e9film partage cette vision d'une industrie juste et prosp\u00e8re.\"<\/p>\n

Ryan Pogue - Pr\u00e9sident, Nabet 700-M Unifor<\/p>\n

Soci\u00e9t\u00e9 des auteur.e.trice.s de radio, t\u00e9l\u00e9vision et cin\u00e9ma (SARTEC)<\/strong><\/p>\n

\"Il est plus qu'urgent que T\u00e9l\u00e9film Canada s'assure que les fonds publics investis dans les productions audiovisuelles sont utilis\u00e9s de fa\u00e7on responsable, comme c'est le cas pour d'autres organismes publics dans de nombreuses industries \u00e0 travers le Canada. Pourrait-on imaginer que le Canada investisse des fonds dans des projets de travaux publics o\u00f9 les gens de m\u00e9tier seraient pay\u00e9s en dessous des minimums n\u00e9goci\u00e9s ?<\/p>\n

-Laurent Dubois, directeur g\u00e9n\u00e9ral de la Soci\u00e9t\u00e9 des auteur.e.trice.s de radio, t\u00e9l\u00e9vision et cin\u00e9ma (SARTEC)<\/p>\n<\/p><\/div>\n<\/p><\/div>\n

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-30-<\/p>\n<\/p><\/div>\n<\/p><\/div>\n

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M\u00e9dias<\/strong><\/p>\n

ARRQ - V\u00e9roushka Eug\u00e8ne, responsable de la communication et des \u00e9v\u00e9nements,\u00a0veroushka@arrq.quebec<\/a><\/p>\n

DGC- Ian Gillespie - Directeur de la communication,\u00a0igillespie@dgc.ca<\/a><\/p>\n

ºìÌÒÊÓƵ- Krista Hurdon, repr\u00e9sentante internationale,\u00a0khurdon@iatse.net<\/a><\/p>\n

SARTEC - Isabelle Desmarais, conseill\u00e8re en communication, 514.602.0977,\u00a0Idesmarais@sartec.qc.ca<\/a><\/p>\n

WGC- Lisa Blanchette, Communications, 437-871-3367,\u00a0l.blanchette@wgc.ca<\/a><\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section><\/div>","protected":false},"excerpt":{"rendered":"

Huit syndicats et guildes importants envoient une lettre \u00e0 T\u00e9l\u00e9film concernant les investissements continus de l'agence dans des projets qui refusent de signer ou de respecter les conventions collectives Toronto - Dans une lettre envoy\u00e9e aujourd'hui [...]<\/p>","protected":false},"author":7,"featured_media":7743,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[8],"tags":[19],"yoast_head":"\nUnions and Guilds Press Telefilm On Lack of Protections for Cast, Crew and Creatives - IATSE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/iatse.net\/fr\/unions-and-guilds-press-telefilm-on-lack-of-protections-for-cast-crew-and-creatives\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Unions and Guilds Press Telefilm On Lack of Protections for Cast, Crew and Creatives - 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