  {"id":1873,"date":"2006-03-30T00:00:00","date_gmt":"2006-03-30T00:00:00","guid":{"rendered":"https:\/\/iatse.net\/2006\/03\/30\/home-of-the-brave-returns-to-the-home-of-the-brave-iatse-members-of-spokane\/"},"modified":"2021-06-14T13:50:29","modified_gmt":"2021-06-14T13:50:29","slug":"home-of-the-brave-returns-to-the-home-of-the-brave-iatse-members-of-spokane","status":"publish","type":"post","link":"https:\/\/iatse.net\/fr\/home-of-the-brave-returns-to-the-home-of-the-brave-iatse-members-of-spokane\/","title":{"rendered":"Home Of The Brave retourne au Home of the Brave des membres de l'ºìÌÒÊÓÆµde Spokane"},"content":{"rendered":"<p>SPOKANE, Wa., 30 mars - L'International Alliance of Theatrical Stage Employes (IATSE) et les producteurs du film de Samuel L. Jackson, Home of the Brave, ont sign\u00e9 un accord pr\u00e9voyant des salaires, des pensions et des prestations de sant\u00e9 \u00e9quitables pour l'\u00e9quipe de tournage de cette production de $12 millions.<\/p>\n<p>Le tournage a commenc\u00e9 la semaine derni\u00e8re \u00e0 Spokane sur Home of the Brave, qui met \u00e9galement en vedette Jessica Biel, Brian Presley et Christina Ricci et est r\u00e9alis\u00e9 par le v\u00e9t\u00e9ran d'Hollywood Irwin Winkler. La production a \u00e9t\u00e9 arr\u00eat\u00e9e au bout de trois jours et demi lorsqu'une majorit\u00e9 \u00e9crasante de l'\u00e9quipe, qui n'\u00e9tait pas couverte par un contrat syndical, a courageusement sign\u00e9 des cartes de repr\u00e9sentation syndicale avec la section locale 488 de l'IATSE, Studio Mechanics of the Northwest (desservant le nord-ouest du Pacifique), et a exig\u00e9 un contrat syndical \u00e9quitable.<\/p>\n<p>North by Northwest, une soci\u00e9t\u00e9 locale qui fournissait des services de production, souhaitait utiliser des travailleurs syndiqu\u00e9s mais refusait de payer les conditions syndicales standard. North by Northwest a affirm\u00e9 que Home of the Brave ne pouvait pas se permettre d'\u00eatre produit \u00e0 Spokane en utilisant de la main-d'\u0153uvre syndicale locale dans le cadre d'un accord IATSE.<\/p>\n<p>En raison du refus de North by Northwest de n\u00e9gocier un accord pour les travailleurs de Spokane, les producteurs ont annul\u00e9 dimanche dernier leurs chambres d'h\u00f4tel \u00e0 Spokane, emball\u00e9 la production et se sont dirig\u00e9s vers Vancouver, au Canada, dans l'espoir de reprendre la production. La production n'a pas \u00e9t\u00e9 en mesure de constituer une \u00e9quipe efficace pour le film et a contact\u00e9 le syndicat pour r\u00e9soudre la situation. Tout est remont\u00e9 dans les camions pour le voyage vers le sud jusqu'\u00e0 Spokane.<\/p>\n<p>Les producteurs ont fait appel \u00e0 une autre soci\u00e9t\u00e9 de production pour remplacer North by Northwest. Les n\u00e9gociations ont repris avec l'ºìÌÒÊÓÆµet un accord a \u00e9t\u00e9 conclu mercredi 29 mars pour que la production retourne \u00e0 Spokane et recommence \u00e0 tourner le vendredi.<\/p>\n<p>Apparemment, l'affirmation de Rich Cowan, de North by Northwest, selon laquelle Home of the Brave ne pouvait pas \u00eatre produit comme un film de $12 millions \u00e0 Spokane, a \u00e9t\u00e9 contredite par une meilleure comptabilit\u00e9. Sur la m\u00eame production, et dans des circonstances identiques, le nouvel employeur a pu facilement accepter les conditions syndicales standard. Ce fait indique d'autres motivations de la part de North by Northwest.<\/p>\n<p>\"Quant aux membres d'\u00e9quipage, ils se moquent de l'entit\u00e9 pour laquelle ils travaillent tant qu'ils re\u00e7oivent les salaires, les soins de sant\u00e9, les conditions de travail et les prestations de retraite en vigueur dans la r\u00e9gion\", a d\u00e9clar\u00e9 Steve Aredas, repr\u00e9sentant de l'IATSE, qui a repr\u00e9sent\u00e9 l'ºìÌÒÊÓÆµdans cette d\u00e9marche.<\/p>\n<p>\"Les entreprises de production locales doivent accepter le fait qu'il n'est plus possible de payer des salaires bien inf\u00e9rieurs aux normes de l'industrie du cin\u00e9ma et de la t\u00e9l\u00e9vision dans l'\u00c9tat de Washington\", a d\u00e9clar\u00e9 David Ray Robinson, agent d'affaires de la section 488 de l'IATSE. \"Les gens m\u00e9ritent des soins de sant\u00e9 et des pensions. Les jours d'exploitation dans l'\u00c9tat de Washington sont termin\u00e9s.\"<\/p>\n<p>Ont \u00e9galement particip\u00e9 aux n\u00e9gociations le vice-pr\u00e9sident de l'IATSE, Matthew D. Loeb, l'agent commercial de la section 488 de l'IATSE, Charles A. Carlsen, et le repr\u00e9sentant commercial de la section 600 de l'IATSE, International Cinematographers Guild Western Region, David Behm.<\/p>","protected":false},"excerpt":{"rendered":"<p>SPOKANE, Wa., 30 mars - L'Alliance internationale des employ\u00e9s de sc\u00e8ne (IATSE) et les producteurs du film de Samuel L. Jackson, Home of the Brave, ont conclu un accord [...].<\/p>","protected":false},"author":1,"featured_media":1522,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[8],"tags":[20],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Home Of The Brave Returns to the Home of the Brave ºìÌÒÊÓÆµMembers of Spokane - IATSE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/iatse.net\/fr\/home-of-the-brave-returns-to-the-home-of-the-brave-iatse-members-of-spokane\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Home Of The Brave Returns to the Home of the Brave ºìÌÒÊÓÆµMembers of Spokane - IATSE\" \/>\n<meta property=\"og:description\" content=\"SPOKANE, Wa., March 30 &#8212; The International Alliance of Theatrical Stage Employes (IATSE) and the producers of the Samuel L. 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